Friday, September 3, 2010

Engrish is fun

In the wonderful adventures that I have had since working in Japan, I must admit I am almost disappointed if I don't come across some instance of ridiculous syntax or inappropriate vocabulary choice in my day to day life. From the walk to the station, to the convenient store, to the T-Shirts of strangers bearing titles such as " sweet cakes, you like?" or "I am the fuck", Engrish is everywhere and it is awesome.
Though these sound like strange inventions that I would only fictionalize for purposes of semi-humorous entertainment, the impact would not be relevant were they not one hundred and "tens" percent true. Having taught for just over three months now, (therefore significantly less than all my work counterparts who now shrug at the hilarity of mistakes made by almost all students including the substitution of the 'sh' sound with a 'ss' and the inevitable mishap that may occur when trying to teach the word 'pushy'), there have been so many instances to recount in the small word count that I will be offering today. I may very well have to entice the slightly more proficient English speakers with such stories in the future... I shall make it a goal to pass on such moments in due time. 


For now, accept my mere photographic documentation of a few examples that I do indeed cherish, and so read on dear Anglophiles, read on. 


For the masochist in all of us
Lost for words
Ball cleansing machine
Tuna ship limitation: only 290 Yen! It's so exciting limitation!
 a glass box with nothing inside
somewhat like a gooch
I want a goocy dream
Sara Sara's touch is here for your sanitary needs
Lunchbox for New Zealanders

That is to say...

Polaroid oh Polaroid, where art my Polaroid. and a bit of collage



http://www.dazeddigital.com/Photography/article/8194/1/Patrick_Winfields_Polaroids

Thursday, September 2, 2010

Paul Smith Space


Welcome to my dream house among the trees












The Paul Smith Space

One of the great things about fashion is its ability to project us onto a fantastical platform of invention and imagination.

Since my days of roaming as a mall rat teenager in the halls of Emporium in Bangkok, I used to gape at Paul Smith's window displays so incredibly enthralled by all its trinkets and treasures and at the phantasmogorium of color that he does ever so well.

I recently had the chance to visit the mother store in Nottingham, where he is originally from. Unfortunately, both as a result of my ineptitude and my general distraction with the beautiful house, I completely forgot to open the shutters of my camera to his world of wonder.

Thankfully, having heard of the Paul Smith Space in Tokyo and even more blissfully, having encountered it at a whim with a friend on a walk searching for another establishment, I had my camera with me and all the good sense to open its lens to my memory card.

What a well executed little space, with its glass walls and surrounding bamboo trees, you really feel as though you've been invited into the intimate home of Paul Smith himself. This kind of marketing is the smartest of all, because you feel privileged to enter this kind of space, as though you and you alone have merited the chance to open your eyes to its creative candy; from the framed images of what would alone seem banal, to the carefully designed building that hides all sorts of private rooms, the antique suits and the one-off pieces, the 70's vinyl lying around, the gadget designs like the lego speakers, type-writer teapots, the warm wooden floors, the ridiculously well-dressed staff (who seem more like accessories to the store rather than real people with flaws), and the top floor exhibition space; this place makes the eyes want to lick ice-cream (metaphorically speaking, of course).

The Paul Smith house is a seamless fusing of the personal with the commercial, in that all the objects and paraphernalia are made to feel as though they were already yours, but the only thing for sale alas, is the clothing that accompanies it. The clean gallery space on the final floor, with its exposition of a French/Londonian love affair which unfolds in photographic prints (and is also presented as a video slide coupled with a classical soundtrack that begs for our empathy) pulls at the heart strings and imagination of even the most removed. Without having displayed the images here, imagine the quintessential European woman with her short cropped do, a tall brunette (whose hair consequently flips to a neo-punk, a la Englaise, fashionable bleach-blonde boy-cut) atop a bicycle cycling through the street of London next to fruit vendors and markets, and through les rues de Paris. She is not so beautiful that you cannot find a point of reference for yourself but despite the slight imperfection of her jaw, and in part because of the magnificent story and the ridiculously attractive men she does indeed attract, you cannot help but want to be her. In all this beauty of well-framed shots and romanticised imagery, she is kindly dressed by Paul Smith himself (the wardrobe looks sensational, all of which seem to match the season being sold downstairs) and so you feel that a small part of this story can be transfered into the realm of reality through the purchase of that de-constructed wool jacket, or perhaps those cute little socks she adorns with the heels when she is walking through the misty vineyards in the South of France. In fact, her hair is so cute I may have to have it cut exactly the same way, with a fringe a little bit longer perhaps, but essentially in the same style. Why don't I just indulge and buy a whole new wardrobe, so that I too will experience the tragedy and the passion that these photos so seductively capture. 

If only my bank account agreed with me too.

Regardless of my financial situation, if you or anyone around you actually had the money (or even if you didn't but that credit card tickled you through the wallet), you would have to be the least-consumerist newt alive to refrain from purchasing anything in this magnificent playground.  

Dear Paul Smith space, be mine.